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June 28, 2019 0 Comments Editorial, News

Jesse Royal, Kabaka Pyramid and Max Glazer Headline A Socially Conscious Concert

Editorial by Angel Love

City Parks Summer Stage Brings A High Caliber of Live Performances to Von King Park

On Sunday, June 23, 2019, The New York City Massive gathered in Von King Park from the stage center to the circumference of park for a politically charged music concert of reggae, rap and hip-hop music, presented by City Parks Foundation and Capital One.

New York City Renowned Selector, Max Glazer of Federation Sound excited the crowd with dancehall and reggae tracks from the 90’s and beyond. Jesse Royal opened the musical stage with a militant stage presence and solidarity with the crowd, commencing his set with “Power to the People” chants. This was followed by a stirring performance of “400 years” from his album “Lily of Da Valley, “Easy Star Records. The lyrics of this song permeated the crowd with the past and current atrocities faced by people of color and immigrants in the United States. Four days earlier on, June 19, 2019, Senator Majority Leader, Mitch McConnell ignited political controversy at the first House of Representatives Hearing on Reparations in twelve years:

“I don’t think reparations for something that happened 150 years ago, for whom none of us currently living are responsible, is a good idea. We’ve tried to deal with our original sin of slavery by fighting a civil war, by passing landmark civil rights legislation, we ‘ve elected an African American President.  I think we’re always a work in progress in this country, but no one currently alive was responsible for that, and I don’t think we should be trying to figure out how to compensate for it,” he said. “First of all, it would be pretty hard to figure out who to compensate. We’ve had waves of immigrants as well, who have come to the country and experienced dramatic discrimination of one kind or another.”-Mitch McConnell, Senator Majority Leader, Hearing on Reparations, June 19, 2019

The crowd listened to every lyric of “400 Years” with a remarkable silence, the words propagated throughout the summer air:

Huh
400 years and counting (counting) 
400 years and counting (counting) 
400 years and counting (counting) 
And it still don’t add up (it don’t add up)
Get up and do something
Don’t be counterproductive
All the people really want is peace and equality
Talking ‘bout reparation, for the Black Nation
Africa awaits and creates us
Black sweat and tears
For all these years 
ripening the fruits of evolutio
n oh

500 years and counting (counting) 
500 years and counting (counting) 
500 years and counting (counting) 
And it still don’t add up (it don’t add up)
Get up and do something
Don’t be counterproductive
All the people really want is hands and our hearts together

This gave way to Royal’s songs “Greedy Babylon,”  “Generation,” and fan favorite “Modern Day Judas.” He then delivered his inspirational song, “This Morning.” Jesse welcomed his first surprise guest to the stage, Alandon, who reminded the crowd to grow in love and prosperity with the lyrics of “Grow Money Grow.” Royal then welcomed a second surprised guest, Don Shepherd from The Nomaddz, who greeted the crowd with the lyrics of “Wha Dis” from the Walshy Fire produced, soon to be released album, “Heaven On Earth.” The crowd sang along in unison and Shepherd turned to Jesse and said, “What di blouse and skirt, like dem already know the lyrics.” Shepherd really brought down the house with an energetic performance and the crowd cheered with exhilaration.

Max Glazer returned to the stage for a second set, announcing the passing of New York City Prominent Selector, Micro Don (Rampage Global Sound, “Rice and Peas” and “It’s Just Dancing”):

“We were to come here together after his event earlier, Summer Bounce, but he never made it. I was not going to do this because we were so close, but I know that he would want me to continue on.”Max Glazer, said tearfully.

Max selected “Sorry” by Foxy Brown and the poignant lyrics rang loud for the loss of a New York City Cultural Icon.   People in the crowd embraced each other, some shedding tears, others discussing who he was and what he meant to them. Glazer followed up with more conscious tunes such as Dennis Emmanuel Brown, “Love and Hate” and New Reggae Sensation, Koffee’s hit, “Toast.”

Following this segment, Kabaka Pyramid ignited the crowd with songs like Ini Kamoze “Here comes the Hotstepper,”Chaka Demus and Pliers, “Murder She Wrote,” and Tenor Saw “Ring The Alarm.” Kabaka gave an extraordinary performance with his rap, hip-hop –fused reggae lyrics. He performed songs  from the Kontraband album “Kaught Up,” “My Time,” “Never Gonna Be A Slave,” on the “Cane” riddim, a DJ Frass production.  Kabaka delivered “No Capitalist” and “Herb Defender” from his 2013 album, “Lead the Way.” The lyrics from his new single  “Mr. Gunman,” were amplified by today’s unrelenting gun violence :

 “Please Mr. Gunman, tell me what you get out of killing, what you get out of blood spilling?

Pyramid delivered universal messages for social change and consideration throughout his performance.

Faces in the Crowd included Artists: Isasha, Khari Kill, Khalilah Rose and Ras Shiloh. Micheal Goldwasser, CEO of Easy Star Records and staff of Easy Star Records were present.  First Lady of Dancehall, Lady Ann, getting ready to embark on her 90’s Dancehall USA Tour in August 2019, spoke on her full support of the revolutionary artist line up:

“Mi haffi come out to support the youth.  These youths hold the order, and sing the right thing and deliver the right message. Love and Big Up to Jesse Royal and Kabaka Pyramid from The First Lady of Dancehall, Lady Ann.” –Lady Ann, Veteran Reggae Artist

The combination of a great DJ and line up of artists and stellar live performances makes this a New York City Concert to remember. 

Written by Angel Love

Photograph of Micro Don from his Instagram Page

Photographs of Concert Taken By Father German, CEO of Power of Reggae.Com

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June 26, 2019 0 Comments Editorial, News

Selah Marley’s “A Primordial Place” at City Point in New York City

Editorial by Angel Love

Selah Marley Transforms a New York Space Into A Natural Oasis

“It’s an indoor jungle! I called it “A Primordial Place” because for me it represents a world prior to human destruction, and at a time when nature and the Earth were allowed to blossom, and so it’s the beginning of time, and I just wanted to exemplify that in my work.Selah Marley, Curator of “A Primordial Place”

Selah Marley held her first sensory art exhibition in New York City, at BKLYN Studios, City Point, in New York City, on May 3 and May 4, 2019. The art installation entitled, “A Primordial Place,” represents a world untouched by man and industrial changes.

“A Primordial Place” consisted of a mystical, lush garden of flowers and ferns. The beauty of this botanical exhibition was in the details of flower-filled tunnels, grassy terrains, a majestic Tee Pee, and pendulous flowers, ferns and trees.

Marley curated the setting for the exhibition by varying the temperature (5 Climate Temperature settings were used) and lighting (bright lights, red lights, purple light, fluorescent and black light effects). Dancers arrayed in Zulu- inspired costumes, in all white to represent purity, performed with flowing choreography. Marley carefully added layers to the cultivation of this art experience, by handcrafting each costume and creating story telling choreography. The exhibit itself attracted lovers of nature, art, music, fashion and cosplay. One painter brought her own acrylic painting to show Selah Marley. Model Josephine Yvonne Ventress, dressed as a mermaid on the final day of the exhibit, after visiting a few days prior:

“I was like, do you want a Mermaid to be at your event? She was like “Yeah sure, are you the Mermaid?” I said “Yeah!” She sent me the link to RSVP, I came on Thursday, and my jaw literally dropped. It was mystical, beautiful, just magical and a completely different world. Therefore, I wanted to bring an experience as well because she was giving so much to people. I wanted to be a supporting factor for all of Selah Marley’s effort. “A Primordial Place” was a wonderland, a mysterious world that encouraged me to wear the mermaid costume I curated in 2016. In terms of the costume design, my mother hand stitched my tail for a custom fit. I put so much energy into making my mermaid expression. I always have to have a mystical kind of wig, I usually would wear contacts- but not this time. I used an actual fishing net and seashells for the bra. I used a special sheer looking fabric to hand-design the individual scales for a 3-dimensional effect or lifting of each individual scale. Additional accents included tons of glitter, extravagant and elongated, turquoise eyelashes and my bubbly and effervescent personality, to pull off this look.” – Model and Designer, Josephine Yvonne Ventress

On the final night of the exhibition, Selah Marley celebrated the success of “A Primordial Place” with her many fans, supporters, family and friends, with an after party. Rohan Marley, son of Bob Marley and owner of House of Marley Brand, beamed proudly amongst the crowd with his sons, Joshua “YG” Marley and Nico Marley.

Selah’s mother, Lauryn Hill, Maternal Grandmother, Model Slick Woods, and Eden Marley, Founder of The Garden of Eden Foundation, were present at the exhibition’s opening. Selah Marley cultivated an extraordinary cultural experience in New York City, like no other.

Written by Angel Love

Culmination of Photographs taken by Angel Love and Najee Pack

June 9, 2019 0 Comments Editorial, News

Tarrus Riley B.L.E.M. EP Release Party

International recording artist Tarrus Riley has a new project on the way he is excited to share with his fans and music lovers worldwide. The project produced by Andron “IzyBeats” Cross, is titled B.L.E.M (Blending Life’s Experiences Musically).


In Jamaica we don’t say blend we say blem, and that stands for a mixture. The project is called B.L.E.M, and it’s an acronym for Blending Life’s Experiences Musically. Every song has a different feeling and a different mood, its mood music. Its a little touch of international, a little touch of afro beats a little touch of our Caribbean scotch bonnet pepper in the blem” says Tarrus Riley.


The five (5) track project produced by Andron “IzyBeats” Cross, highlights the multi talented Tarrus Riley showcasing his ability to create music in every style. “It was important for me to produce Tarrus Riley outside of what many are use to, didn’t want the ragamuffin voice Tarrus, I wanted to showcase the melodic, sweet voice and put a spin on it” says Andron “IzBeats” Cross.


Today Tarrus Riley release the cover of B.L.E.M, which was created by Joshua Brown, creative director at Creative Titans. The album cover signifies the explosive energy and vibe Tarrus and IzyBeats deliver on this five track project. With features from Ghanian artist Stonebwoy and new sensation ‘Reggae royalty’ Lila Ike, this project delivers a ‘fresh sound’, which many will hold near and remember as a the voice of T4000 aka Tarrus Riley.
TRACK LIST 

1. G.Y.A.L. featuring Stonebwoy
2. Kryptonite
3. Feel It
4. Trust Issues featuring Izy
5. Waters featuring Lila Ike
Blending Life’s Experiences Musically
Photo Credit- Alisha Camille
Singy Singy EP Release Party inside Katra in NYC
Photo Credit- Alisha Camille
T4000
Photo Credit- Alisha Camille
The many phases… Great EP Singy Singy
Photo Credit- Alisha Camille
Genie Sweetness and Singy Singy
Photo Credit- Alisha Camille
Noah Powa Keeping the same Energy
Photo Credit- Alisha Camille
Macka Diamond in D Building!
Photo Credit- Alisha Camille
Producer @izyareyoukiddingme
Photo Credit- Alisha Camille
Tarrus Riley & Andron “IzyBeats” Cross
Photo Credit- Alisha Camille
DJ Paul Michael & Genie Sweetness
Photo Credit- Alisha Camille
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